troof

oh shit!

PictureBox books is putting out my112 page Walrus book full of my sketches and unpublished stuff.
Stuff like this: of a day in the life of me and my dear sweeet Marian (Marian drew the Chicken)

Here’s some of the rough cover ideas I had for it.

and I did a cover for the Warheads tour I’m going on next month.
Wed, Oct 24 – Beach Ball Comics (Anaheim)
Thur, Oct 25 – Austin Books & Comics (Austin)
Fri, Oct 26 – Star Clipper (St Louis)
Sat, Oct 27 – Chapel Hill Comics (Chapel Hill)

It should be fun, and I’ll draw pictures for whoever shows up.

and pencils for that

Also, also Marian did a new image for the title page of the first Warheads

Originally in place of that I planned to use this:

I was getting the book ready to be sent off and I was just shaking my head at this being the first page people see of the character. like “come on dude, that’s weak”

I like the drawing still and I’m not back tracking on my love of drawing naked ladies , I just don’t want to introduce the character as “ASS!” I’m trying to be a better Brandon and all– I’ll put in the Walrus book.

and here’s the Warheads #4 cover

annnd the Pencils

 

and I got to do a cover for the 3rd issue of my pal Stokoe’s Godzilla comic:

I’m pretty sure that dude on the left is part of the same organization as The Warlord.

my first draft of the Godzilla cover was pretty fucking awful:

Toho just emailed me a photo of a stop sign when they saw that.

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The new Prophet (#29) just came out with Fil Barlow on the cover & my homie Farel dalrymple on art Letters by Ed Brisson with Joseph Bergin III colors.

So me and Farel devised this issue awhile back and not until he turned in the final pages did Joseph Bergin pull some impressive shit and come up with an idea to show everything inside the psychic mind dampening field in black and white.

Here’s the transition page as Prophet falls out of color.

I can’t stress enough what a joy it is to work with all the dudes on Prophet.

Also in #29 Andy Ristaino (of lead designer on adventure time and Babysitter & other comics fame ) did an amazing back up this issue.

Here’s one of my pages for #30 that is being lettered as I type this. Fight scenes aren’t really my thing but I had fun with this one. and the bottom panel is by Giannis.

And another page of all Giannis from #30 (he colored the flashbacks this issue too)

So the main story in Prophet #30 has 2 artists (me and Giannis) and 3 colorists. (Me, Giannis &  Joseph) Like I’ve been saying the plan was always to show each artists different style as how different characters view the universe.

Here’s a page from the impressive BARTAN back up for that issue by Dimi Mac and K.C. Silver. I love that they did ADVENTURE #269 for a one shot.

More of their stuff here:

http://guttertownmassive.blogspot.ca/

and I just got an update from Cecile Brun, with Olivier Pichard on colors who are French artists doing a Prophet back up called Waveless  Here’s some character designs:

and photos of them working on it:

I’m really looking forward to this one.

and more on their work here:

http://atelier-sento.tumblr.com/

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Whatelse? I’ve been reading some great comics.

Ronald Wimberly’s Prince of cats really blew me away, I might have to type about it more later. Ron made a comic I’ll be pulling inspiration from for yearrrsss. Amazing shit.

 

Joe Decie sent me this letter:

Joe’s site: http://www.joedecie.com/

 

and yeah the Lando comic Joe sent me, is awesome. Lando is part of a UK comics collective called decadence (along with Stathis Tsemberlidis ) who are just killing it with their sci fi work.

Really impressive Otomo, Moebius looking work.

you can get it here :

http://www.decadencecomics.com/Home/pyramid-scheme-and-other-stories

And here’s a Yoshikazu YASUHIKO dirty pair sketch. because I love that shit.

 

Posted in Uncategorized | 27 Comments

time capsule corp.

Yo yo yo,

Soooo I’m going to be at a local Vancouver con this sunday along with a bunch of my pals:

Image

It should be fun, show up in you’re around.

Here’s my schedule this week, that I write on giant butcher paper to loom over me and judge me. (that’s Marian’s self portrait on the right–Bad dude!)

Image

I’m always talking about how making the work fun is really important to me , recently I’ve been having to rethink things. I’ve been giving myself more tasks that aren’t necessarily about the work.

I want to get over any guilt of ever not working or working too slow, so this week I added  ”watch all the (70′s Tom baker Doctor Who) Key of time Episodes!! Woooo” to things I had to get done. I don’t want to make getting the work done that pays my rent anymore important than the other fun stuff I do. Obviously no one ever dies wishing they saw more tv shows but It’s more important to me to just have fun and work because I want to work not because I’ll feel like a jerk if I don’t. there’s no good and bad there’s just setting up an environment that allows for whateverr mannn.

Here’s what I’ve been working on tonight:

 

It’s a whale restaurant on a whale that serves food made out of the whale it’s on.

I did a choose your own adventure joke with a choice that doesn’t really affect anything more than how much Sexica likes her breakfast.

This page will be in Multiple warheads #5 or #1 of book 2 whatever whatever– It’s interesting to me what a time capsule making comics is. People finding King city now and reading pages that I drew on my lunch break when I just like “fuck I wish I could draw comics all day” –so that’s cool.

Here’s some MW covers– #2 I scanned a page out of a Chinese calendar that I pulled out of a dumpster and then added a bunch of my own drawings to it.

 

And here’s #3′s cover. I kind of had to rush this one so I might tweak it a bit before it actually goes to print. I scanned the #3 out of a 1990′s issue of Raygun magazine.

 

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Sooooooo Prophet stuff.

The #28 I did with Giannis Milonogiannis drawing and  Joseph Bergin III coloring and Ed Brisson Letters comes out on Wednesday. Here’s a preview: http://ghettomanga.blogspot.ca/2012/08/preview-prophet-28-by-brandon-graham.html

And here’s a 2 page spread from #29 following up on the Farel Darymple drawn Prophet with  a tail:

 

It’s a bunch of Prophet’s in space baby armor trying to transport a Brain ball Mother through a space war that’s too big to go around.

And then issue #30 goes back to the Giannis story. Here’s some layouts I did this week showing a new lady lizard assassin that’ll be an ongoing character. Here she sneaks up on a floating palace in her crab house.

 

She has these color crystals that she can see poison walls in a plant maze. we’re trying to do more stuff with color in Prophet. Seems like a waste to have a color book and not have color as a part of the story.

I showed the layouts to my pal Emily Carrol and she sent me back this rad assassin drawing.

Emily’s site: http://www.emcarroll.com/#3

Also in the Prophet issue that’s out on Wednesday, I got Fil Barlow to put together a thing about the process his old Zoonerse issues were colored in. It’s kind of a sequential article.

—————————-

And here’s some King city stories.

My pal Chris Eng did one called A girl and her cat. 

You can read it here:

http://hoodieripper.tumblr.com/post/29374583901/a-girl-and-her-cat-a-king-city-story

And here’s a King city short that my Mom (Vicki Barbosa) wrote.

“Interesting” said the Shadowcat
8/3/12


His fur was black, black that swallowed the starlight, swallowed the
moonlight. If there were ever a cat- shaped black hole, he was it. It
came in handy for slinking about the dark side of the moon, or between
the Pleiades, or in alleys and pool halls in New York.
He had no name, or rather, he had so many names it was hard to know
his name at any given time. His name depended on his location, at
times on the season of the year or the phase of the moon. So in the
valleys of Spain he was Gato, the one and only Cat; in the mimsy
mountains of the Orion constellation he was Selquo the Magnificent; on
the far side of the moon he was Glyboo; and in the tenements of New
York he answered to Yodo. For the purposes of this tale we will call
him what Janis called him: Meroo.
He was a Shadowcat, working under the auspices of the Catmaster
General as a recruiter. His job was to shadow potential cat masters,
observe them in various situations, and bring them in for training if
they agreed. It was he who brought in the catmaster Joe, famous for
his rescue work in Seattle, and it's said he recruited Klovharu from
Vancouver, a tough nut to crack.
The catmasters were people with natural talent, who were brought to
the farm outside L.A. and trained to be masters by the best. They
learned all the martial arts, but mostly cat techniques, how to use
the cats as weapons. What they did with their training later, that was
up to them. Some of them saved their city, their continent, or their
world. Some of them just prevented burglaries; some lived their lives
ready for anything. It was kind of zen, according to Janis.
The first time Meroo saw Janis in L.A., she was sliding through a
crowd like quicksilver, a skinny tousle-headed 14 year old in tattered
jeans, looking for a mark. It was clear that she had worked the
streets for years, being bait for older kids, grifting, picking
pockets. She had a good scam going now: Meroo crawled to a rooftop and
peered over, watching her work. She brushed against an older man,
lifted his wallet, then leaned down and pretended to pick it up. “I
think you dropped this, mister,” she said, holding it out innocently.
The man's mustache jerked in surprise; and his hand flew to his hip.
“Looks like I did. Thank you, my dear.” He opened the wallet, pulled
out a bill and handed it to the girl. “This is for you.”
“Interesting,” said Meroo.
He followed along on the rooftops above, observing as she pulled
variations on the same stunt four more times. It worked pretty well,
and avoided the complication of having to hide from the law. He
followed her into an apartment, to a secret meeting with an
orange-haired character who held out a handful of bills, and observed
the girl shake her head with a sneer, flick the bills aside and walk
away. “Interesting,” Meroo said.
When she crawled in through a window and curled up in a corner of an
abandoned room to sleep, Meroo was there before her. She turned over,
brushed against him, and jumped out again in a hurry.
Meroo sat up, stretched and yawned. "Relax," he said. "I come in peace."
She crouched on the floor, staring. "What?"
"I said --"
"You're a cat!"
"Seriously?" Meroo brushed his whiskers. "My mother will be astonished."
"Cats can't talk!"
"Is that so?"
"Yeah, it's so! Everyone knows that!"
"I suppose everyone also knows that spiders are not space travelers
marooned on earth, that Cthulhu is not asleep in Massachusetts Bay,
and that the world will not end as soon as the nine billion names of
God are compiled?"
"I don't know about that, but cats can't talk."
"Okay." Meroo began grooming himself.
"What do you want?" Janis asked.
"To offer you a job opportunity. You have some useful skills, it'd be
a shame to waste them. In the morning I'd like to take you to meet
some people."
"Where? What people?"
"The Catmaster training farm. Not too far away. Better get some sleep."
The next day they went out to the farm, not far from L.A. When Meroo
introduced the girl to the Catmaster General, Mudd just stared at her.
"No," he said.
"What do you mean, no?" Meroo was annoyed.
"She's just a kid, wet behind the ears. Bring her back in 3 or 4 years."
"Have I ever been wrong about a prospect?" said Meroo. "In 3 or 4
years, she'll be spoiled -- a dedicated lowlife thief, a drug runner,
something unsavory. Train her now, she'll be a spectacular catmaster.
Guaranteed."
Mudd frowned. "There are no cats available at the moment."
"Oh really," said Meroo. "Like there isn't a cat born every second."
"You know what I mean," said Mudd. "Weaponscats are not your run of
the mill random cats."
"Little do you know," said Meroo to the leader of the world's most
powerful, most secret organization. "Be that as it may, I'll take her
on."
"You!"
"You think I can't do it? I'm unqualified in some way?"
"I need you in recruiting. You're a shadowcat."
"What's the point of recruiting if you turn my recruits away? Hello?"
Mudd cast an exasperated glance at the girl, who was staring
open-mouthed at their discussion. "Fine. Bunk her in Three. Good luck,
kid. You're going to train with the most egoistical, smart-mouthed,
brilliant cat in the known universe. Hope you survive."
"T -- thank you," stammered the girl. "But what do catmasters do?"
"You'll figure it out."

Meroo wanted the kid to succeed very badly, almost as much as he
wanted his next mouse, and that was saying a lot. Especially
considering how delicious a mouse was, a fur-covered, trembling,
savory morsel smelling of . .. never mind. Someone who is not a cat
might read this.
Anyway, Meroo thought that the Catmasters were a great force in the
world – for good, for evil, for comic relief, but certainly a force,
and he wanted to see the kid become part of it, because if she didn't
make it as a catmaster, she was on a downhill spiral to nowhere. He
toyed with the idea of turning her to the dark side, but abandoned the
idea – considering that he knew how quickly the compilation of the
nine billion names of God was going, he didn't want to run any more
risks than he already had.
So Janis started her training, along with six other newbies all older
than her. In addition to the standard martial arts and nefarious
thievery, she learned cat skills: how to throw a cat with deadly
force; how to fling the cat and a syringe after it, transforming it
into anything from a dervish of terror, to a saw blade, to a net flung
over an opponent. The cat could become a periscope, a pillow, a rifle,
duplicate a key, mix a mean martini, whip out a passable drawing of a
suspect. . . you name it, there was little the cat could not do or
become, in the hands of a capable catmaster. And when that cat was the
Shadowcat, Meroo himself, he figured they were an unbeatable team.
They were only 6 months into the training and Meroo was feeling pretty
good about it, when Mudd came to find him where he and Janis were
napping under a palm tree. “Got a job for you.”
Meroo sat up, pricking his ears. “For us?”
“Fine, for both of you. Remember Cthulhu?”
“Difficult dude to forget,”said Meroo.
“Well, seems he had a fling with one of the mermaids from the Danube,
him being a Water Being, and they produced an offspring. Some years
ago. That offspring is now a teenager, known in some circles as
Tsunami Cyril.”
“We're all ears.” Meroo glanced at Janis, who was now sitting up
paying attention.
“Cyril is more or less a normal being, but has a habit of pulling
hissy fits, being a teenager and afflicted with hormones. When he does
this, cities tend to founder. He's in a temper now, heading in a
straight line for Seattle.”
“And where is Joe?” asked Meroo. “Isn't that his favorite hangout?”
“One of them, but he's down in the Antarctic right now, on a secret
mission with his new girl friend. Incommunicado. The catmaster
assigned to Seattle right now is Klovharu. But he's in hiding, not
sure why, and isn't answering messages. So I'd appreciate it if you
two could sidle up there and see if you can roust him, give him a
heads up in case he's missed the news, and maybe be backup for him.”
“Backup,” said Meroo.
“Why can't we handle it?” piped up Janis.
“You're not ready,” said Mudd. “No way. You just go up and find
Klovharu, and back him up if he needs any help. Got that?”
Janis stuck out her lower lip, but Meroo gave her a glance. “Got it.
We'll go tomorrow.”

The next morning they hopped a freight train heading for Seattle, and
after a night sleeping among crates of cat food and bags of mail,
found themselves in at the Union station around noon. They walked out
of the station into a cloudy day, Janis looking around nervously.
Meroo noticed that all the humans around him were glancing nervously
up at the sky, which was a gray purplish color unusual for Seattle.
“Let's go,” he said. “We'll plug into the cat grapevine, easiest way
to find Klovharu.”
“How do we do that?” asked Janis.
“Just ask a cat.”
But it was not so easy to find a cat. They walked for 20 minutes, up
King Street, across to Yesler as far as Fifteenth. Meroo had never
gone so far without finding at least one cat to check in with. Finally
Janis said, “There! I saw one run behind that recycle bin.”
Meroo went over and saw a scrawny tortoiseshell huddled behind the
bin. “Hey, what's going on?” he asked.
“They've all left town,” muttered the cat. “Or hiding out. Something's
up. Something bad's coming.”
“Why didn't you leave?”
“I'm small, nothing messes with me, and I can hide in Underground
Seattle if I need to, But you should head for cover.”
“We're looking for Klovharu and Happiness.”
“Ooh, the sick catmaster? He's over on Main, near Chinatown. But he
hasn't been out for days.”
“Can you show us?”
“Follow me.” The tortoiseshell led the way, and they followed for
several blocks. He stopped at a green door to a basement apartment,
whispered, “Seriously, get out of town,” and scuttled away.
Meroo scratched at the door, whispered the cat code, and the door
opened a crack. Happiness was there, Klovharu's space cat, looking
harassed. “Shadowcat, is that you? Come in, quick.”
He and Janis slid inside. At Hap's startled expression, Meroo
shrugged, “My new catmaster. Where's Klovharu?”
Hap pointed a paw at a pile of quilts on the couch. A few strands of
greasy blond hair stuck out, otherwise there was no sign of a human.
“How sick is he?”
“It's some kind of Martian lung parasite, it lasts about a week. He
has to drink a lot of orangeade with caviar in it to get rid of it,
and he's not doing too well.”
Meroo went closer. “Klovharu?”
The catmaster stuck a nose out. “Zat you? What ya' want?”
“There's a horrendous monster aimed at the city, we kind of need an
experienced catmaster on board here.”
Klovharu squinted out at them. Janis whispered, “Is he always that
color? Like moldy cheese?”
“Not usually,” said Meroo. “Klovharu, you know what day it is?”
“Somewhere around September? Or possibly Thirteen? Not too sure, really.”
Hap shook his head. “Not up to it, Shadowcat, really. He'll be better
in a few days, but still wobbly. And I can feel something coming –
can't you?”
Meroo lifted his head, sniffing. He felt a hint of burning in the air,
flavored with danger. “Yeah, I do.”
“You've got a catmaster of your own, what's the problem?”
“She's still in training. Not quite ready for the real thing.”
Hap shrugged. “I'll come along if you want. Backup cat.”
Meroo looked at Janis, whose eyes looked huge and terrified. “What do
you think, catmaster?”
She gritted her teeth. “We got a choice?”
“We could catch the next freight back to L.A., and read about it in the papers.”
“Right,” she said scornfully. “That's not happening.”
“Then let's go,” said Meroo. “West, I think, toward the bay.”

They went down toward the ferry docks, but soon met people running the
opposite way. “Look out!” yelled a kid pushing a bike. “Earthquake!”
They picked up the pace and soon came in sight of the bay, empty of
ships. But over the Olympic peninsula came striding a horrific shape,
like a whirlwind, like a giant octopus swathed in mist, an amorphous
looming shape impossible to make out. “Takes after his father,” said
Meroo.
He glanced at Janis. “Get out your lethal syringes, numbers 12 and 17 . . .”
“I remember,” she said, her voice strained. “Give me space.”
The creature splashed into the bay, howling in rage and pain. “What's
he saying?”she said.
“Who cares!” yelled Hap. “Get ready!”
Janis held up her hand. She yelled up at the monster, “What did you say?”
Now they could make out words, distorted and high-pitched. “I h—h-
hate you! I hate everybody! Get out of my way!”
The creature stepped onto the street, dripping gallons of bay water,
matted with seaweed, tall as the Space Needle, glaring down at them.
No one else was in sight, except for a scattered crowd of cats that
had gathered all up and down the street. “Kill it,” they howled, “put
it out of its misery!”
The creature lifted its fists, pounded on a building. “I hate you,
leave me alone!” it shrieked.
“I know how you feel,” said Janis calmly. She reached for Meroo, gave
him an injection as she had been trained, and flung him straight and
true. He felt himself flying, felt the exhilaration of working with a
well-trained catmaster, and hit the creature's shoulder, biting.
There was a moment of frenzy, wildness, water, air, mud and seaweed
flying everywhere. Meroo found himself crouched on the sidewalk beyond
the creature, and there where the creature had stood, a teenage boy
knelt sobbing. Aside from green hair and fins, there was nothing
unusual about him.
“Hey,” said Janis. “We all have bad days.”
Tsunami Cyril looked up at her, his face streaked with tears and
seaweed. He wiped his nose. “Who are you? What did you do to me?”
“Janis.” She sat down beside him. “Just gave you a calmer. You're kind
of cute, you know?”
“You think so?” He smiled at her. Meroo rolled his eyes.
“We could get up some beach volleyball. What do you think?”
“Okay. Maybe.” He glanced at himself. “But I have no clothes.”
“Cat.” She motioned to Meroo, pulling out a syringe. “You can knit?”
“Not much I can't do.” Under the potion's power, he knitted a pair of
shorts in scant moments, and handed them to the kid.
“That's pretty neat,” said Cyril.

A couple of days later, Klovharu was back to himself, Hap relaxing
happily on a window sill, and Cyril was entrenched in the mysteries of
beach volleyball on Alki. If you see a green-haired kid there who's a
whiz at spiking the ball, you know where he came from.
They sat in the open freight door on the way back to the farm, Janis
chewing a strand of hair and smiling to herself.
She glanced at Meroo. “He's just a teen, you know. We all have days like that.”
“Good call,” said Meroo.
“I think I might like being a catmaster,” she said.
“Hope so. Because you are,” said the Shadowcat.

 

 

Aside | Posted on by | 22 Comments

Thigh.Man & Gropefunkel

Image

Posted in Uncategorized | 2 Comments

Burn this muther down

Helllo,

My schedule is a mess this week. I’ve decided to lock the doors to my place until I’m caught up on all the projects I want to catch up on. Fuck the day star.

Anyway, I’m all moved into a new pad in Vannncouvver’s west end.

It’s a different scene than I’m used to but I like it. I told Marian I need to get a Hawaiian shirt, she does not approve.

Here’s a drawing I did of the outdoors near my place.

Mostly I’ve been hiding out working on Prophet and Warheads stuff and reading Murakami’s IQ84.  I’m almost done with it so I’ve been trying to read it slowwww. Murakami stuff works on me like Moebius comics. It’s so inspiring in how good it is in a way that makes it seem easier to make my own work.

I drew some fan art:

The frog was just redrawn from a sign while I was waiting for a bus.

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The Comic book legal defense fund shirt I drew off of part of a Neil Gaiman poem got announced at San Diego.  (25% of the sales go to the CBLDF)

You can order it here: http://www.threadless.com/product/3899/The_Day_The_Saucers_Came_Issue_3_Vol_6

Also Prophet #27 comes out today. Comics alliance put up a preview:

http://www.comicsalliance.com/2012/07/20/prophet-27-preview-image-comics-brandon-graham-giannis-milonogiannis/

Lin Visel did the back up this issue. Here’s some pages from it:

 

 

And a drawing of Prophet Lin did:

More of her stuff here: http://thechipperwhale.net/

Also this Prophet issue starts with a flashback showing the far future Diehard.

yeah, this guy:

.

 

Here’s an Image Giannis drew of Diehard for a Who’s who in the Prophet universe style bio sheet we’re running in #28.

And unrelated to actual Prophet stuff here’s a sketch I did of Liefeld’s Vogue.

I was thinking this is how I’d want to draw her as a fashionable killer like some extreme version of Dakota North.

Let your body move to the music, hey, hey, hey.

So We’ve got Badrock’s kid in #26, Die hard and Vogue. yup yup yup

 

Also Simon Roy showed up last week and drew the Prophet collection cover.

And here’s a drawing I did for one of the credits pages based off Giannis flashback scene:

 

And a couple more sketchbook pages:

 

 

I’ve been listening to this Brother Ali song a lot:

Brother ALI

And I’ve been really impressed by everything on this french comics artist Boulet’s site:

http://www.bouletcorp.com/

Posted in Uncategorized | 25 Comments

more hawk

Holla,

Prophet #26 comes out this Wednesday, It’s the first Prophet issue that I did the art and writing on (with gentleman Ed Brisson on letters)

 

Emma Rios of  Amazing Spider-Man and Osborn fame did an amazing back up for the issue.

There was a little mistake in it where the text from #25 somehow got onto the first page of Emma’s story:

It’s still readable and we’ll get it right in the first Prophet collection. but I wanted to run it on here to show how Emma intended it and also just because it’s the kind of pages that get me excited about making comics.  (click on the pages to get them full size: )

 

I like that spider falling down the middle of pages 2-3.

soo good.

Emma’s site– http://steinerfrommars.blogspot.ca/

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I’ve been drawing stuff this week too.

Here’s a bookplate drawing that I did for Gosh comics in London. that they’ll have when the collected P comes out.

And here’s a new page from Giannis’s next Prophet issue #27 with colors by  Joseph Bergin III. We gave old man Prophet a beard. I’m so happy with the work these guys are doing.

This issue is set among these living orbs along a fragile river of atmosphere held in place by an Estuary of solar winds. fuckin space stuff dawg.

Giannis’s  tmblr  http://milonogiannis.tumblr.com/

and Joseph  http://sayunclecomics.deviantart.com/

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Here’s a King city tattoo that Anna Pederson got. niceeee.

———————————————————————————————–

Here’s some stuff out of my sketchbook–

I drew this 1980′s “home is where the heart is” era New mutants.

I was thinking about what a big deal that one Art Adams Annual was when I was a kid. I remember thinking it was cleaver how they put Ed Grimley as a giant and Asgardian Popeye and Bluto in it. I should write some long rant about it soon. I like when Storm turns into a hawk with a Mohawk. Shit, Is that a pun?

Here’s a thing I drew downtown with a Marian banking self portrait below it. She is a serious dude.

I use my sketchbook for art therapy a lot. Last week I announced to Marian that I was going to spend all week wrapped in a blanket crying and eating bugles. I like to set goals you see. I drew my weeks plan to show her.

Marian drew the panel with the Bears. from my favorite TV show that doesn’t exists, Wizard bearZ, (LL cool J doesn’t look too pleased about the whole thing. )

and the other day to warm up I paused the start of Bubblegum crisis and drew Priss getting ready. –getting ready by drawing someone getting ready. yup.

Here’s a bad quality of the intro—> BGC

It’s always reminded me of the start of the manga To-y

Here’s a Jacques Rey design of Leeloo from the 5th element that I thought was cool.

 

 

Tomorrow I start moving out of my apartment, it’s too bad I liked this place. I had fun being a hermit here and staying up all night drawing every night. It’s the first place that’s ever felt like my own place. but anyway, my new place is cool, it’s got a balcony and is more downtown.  And me and Marian will be continuing our alternative married but with separate appartments  lifestyle.

Here’s my old place– snif.

And now to put things in boxes.

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Welcome to the human race

Hello,

I mentioned it elsewhere, but the big news for me is that my Multiple warheads book got sent off to previews. It’ll start coming out in October with a 48 page first issue.

Here’s the opening page I drew this week for issue 5 (or book 2 issue 1)

I like title pages as an excuse to throw in nonsense like the photos on here. I always liked it when jamie hewlett would do that sort of thing in old Tank girl.

That’s my pal Claire’s dog (famous in song and story–she’s in King city as the cat who is a dog) and my ugly mug with my favorite mug.

Me and my lady, Marian collaborated this week on a mermaid drawing for the Once upon a time machine anthology. Marian did the main part and I did the 2 panels on the right.

More Marian here– http://hchom.com/

And my pal Farel did the cover for the book:

More on it here: http://onceuponatimemachine.com/about/

and farel’s site http://fareldalrymple.com/

Here’s some sketchbook stuff I drew.  Trees and clouds. recently it;s made me want to work harder when I draw trees out of my head and then go outside and see how cool they look in the real real world.

Prophet’s been going well.  Giannis is doing an impressive job finishing up issue #27

And here’s Helen Maier’s cover for Prophet #30. I love these covers with no main characters.

Helen’s Deviantart– http://helenmaier.deviantart.com/

Helen’s gentleman, Mr Fil Barlow of Zooniverse fame showed me this great drawing he did of a lot of the cartoons he’s worked on over the years. I was deep into most of these without realizing that he’d worked on so many of them.

These pages will be in the new Zooniverse comic from milkshadowbooks.com/blog/

Fil’s Deviantart- http://filbarlow.deviantart.com/

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I reread some Bozzz Chronicles this week

“Ere now Wot’s all this ?!” man, I love a logo with a  top hat. That logo is a classy gent.  I’ll have whatever that Logo is having.

I like to think that the Logo’s top hat is the one that guy running out the door left behind.

6 issue Bozz Chronicles series that David Michelinie and Bret Blevins put out through marvel’s Epic line in 86′. I think my big brother picked these up when I was 10.

They’re set in late 19th century London. A hooker named Mandy, finds an alien trying to kil himself because he’s depressed that he’s stranded on backwards primitive earth.

So in order to keep him from offing himself they start up a detective agency (as anyone would do)

Bozz is going through some stuff also he hates wearing clothes and he floats.

I’m really amused by the cartoon British that’s spoken in it “C’mon Gov fancy a quick nip O’ the Ol’ Rumble-de-dum” and “How the deuce!” and there’s an American (From the colonies.) that Bozz and Mandy hire as muscle that’s just as cartoon American “”Whippin’ up a batch of O’ muh famous gin-yoo-wine Texas style chili” The accents in this don’t  throw me off the way most  phonetic spelled dialog does. It only sweetens the pot.

Also I like the contrast to Bozz’s flat matter of fact way of speaking.

I like this scene (drawn by guest dude, John Ridgway) with Bozz licking the painting. He also eats a Brass back scratcher at one point and puts pennies on his chili.

he talks to animals a lot. I like his Sherlock Holmes oven mitt looking hat here.

It’s too bad the thing only went 6 issues, it has that kind of Doctor Who charm of an alien investigating all these fantastic elements and figuring out the science behind them.

I like the issue with a painter who makes paintings of demons that come to life.and I like the ridiculous way Blevins draws Mandy. Poor girl can’t even stand up straight when talking about Nrgleing.

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Here’s some photos of Akira Toriyama I thought were cool. Good cat shirt.  Storm trooper reference too– those masks are hard to draw.

and

and an older Toriyama hanging out with Jackie Chan: serious dudes.

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Here’s some Southern cross art I like. Nice logo too.

& more SC and Mospreada. Or Robotech 2nd and 3rd series if you will.

and this cover that is the new brass ring for me to reach for when doing covers.

what is up with the cat standing on the hat? maybe he’s got it even better than the Bozz top hat Logo? I will have what that hat cat is having.

I ran into some good quotes:

Warren Ellis from Bad Signal— ”Chris Claremont once said of Alan Moore, “if he could plot, we’d all have to get together and kill him.” Which utterly misses the most compelling part of Alan’s writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded. If all you want is plot, go and read a Tom Clancy novel.”

and from Groucho Marx

“From the moment I picked up your book until I laid it down, I was convulsed with laughter. Someday I intend to read it.”

and that is that.

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What the fuck I do

I’ve finished drawing Prophet #26. It was a living hell, I deserve a huge raise.

I was thinking about how one of the best things about making comics is how scary it can be. I think for the good moments where everything is going perfect I need the terror that an issue might be a huge failure.  I feel like I’m always teetering on the edge of my best work is behind me. It makes me want to do things I haven’t done yet or try to out do what I’ve done before. So that’s goooood.

Anyway, look at this rad cover Fil Barlow did for Prophet #29

That’s the kind of cover that makes me want to come up with ideas worthy of it when you open the book. Here’s Fil’s deviantart: http://filbarlow.deviantart.com/

and on there a 1986′Real Ghostbusters Janine design Fil did:

nice!

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Also also the hardcore lady I kiss on the mouth, my dear sweet Marian has been working on some exciting comic pages. Here’s a couple from a Mass Effect comic she did recently just for fun. She didn’t like the end of the 3rd game and took it on herself to draw up her own version that she did like 10 pages of and then her time got overtaken by her own comic.

Here’s the first 3 pages:

Bah so cool. Marian’s site: http://hchom.com/

And here’s a sketchbook thing I drew of an unshaven me harassing Marian:

And here’s some Outlanders and Mysterious skin fan art I did:

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And my pal misssterrrr James Stokoe just put up a post with this monstrosity he’s had taped to his desk this past month:

I’m pretty excited about the Godzilla shizz he’s doing too. More here: http://orcstain.wordpress.com/2012/05/20/only-masers-can-keep-us-apart/

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I ran into this old Adam Warren Dirty pair ad– that ran in a 1988 issue of Animag. This is the ad I saw when i was 12 that’s had me buying everything DP or Warren since.

The whole Animag issue is up here: http://animeofyesteryear.blogspot.ca/2012/04/evidence-10-animag-saga-issue-4.html

And here’s the first couple pages of a 1986 DP porn comic — I like the art of–where they shave Mughi. That Coeurl  has a rough life.

The whole thing– http://g.e-hentai.org/g/480897/0bb8ae9bee/?p=2

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I read some comics.

I got this Steve Lafler Dog boy out of a 3 for a dollar bin. mannn this is a fun book.

I read a thing years ago where Moebius talked about how when an artists is given freedom they go for sex or violence– but how cool it is to see someone trying freedom beyond that.

Dog boy is comic characters getting all existential and going on spirit journeys. There’s a good part where to win an argument Dog boy shows his girlfriend another version of herself that’s a dolphin.

I like this part where they drive upside down and just hang out there drinking a 6 pack like it aint no thing:

and then Sir Issac Newton comes after them pissed in a truck, like he was Judge Dredd “I AM THE LAW!”.

Anarcoma– Nazirio has set the self portrait standard with this one:

and here’s another one of him:

“Oh hey, don’t mind me just hanging out in front of some newd gay art.” I think it’s his mutant power that every photo of him taken comes out like that. His highschoool yearbook was aWKward…

I really like how into Tom of Finland dude is. to the point that his characters in the middle of this sex, murder spy comic keep mentioning him:

And then later in the book after our hero has walked in on this sex robot, XM2 (that for some reason is a bald dude with a beard) she’s so casual with her pal that they just brush aside the necrophiliac murder, choke ,attack, to just talk about his dick and Tom of Finland art.

These Romans are crazy.

And most of the pages are all full of dense Tintin sized panels and then he just throws in this giant Tom of Finland fan art:

And with that I am off. I’m starting My next Multiple Warheads issue this week. I am excited.

I’m thinking of adding a chose your own adventure breakfast.

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